Proud to be an aberration

“I consider myself part of an aberration on the planet.  A new, mobile, essentially rootless culture the likes of which the Earth has never seen before.  I live in a culture where community expression through artistic events is not normal; culture comes from “above” –from LosAngeles or New York or, if we are lucky Toronto.  It is very rare that non-artists in Canadian society get together and use art forms to express their own concerns or celebrate their own lives.  And yet that is what theatre, dance, music, etc. used to be –local people singing, painting, dancing, and telling stories. As an artist in this new mobile culture, I have a great hunger for the kind of rootedness that many Aboriginal people have through their cultures.  But I can’t have what they have.  I am who I am and I must take on the task of inventing my own culture–putting down my cultural roots and using artisitic toos to investigate, change and celebrate my community.  I must also face the certainty that this process will take many, many generations to bear fruit.”

–David Diamond,  from Out of the Silence: Headlines Theatre and Power Plays, in Playing Boal Theatre Therapy, Activism.

Celebrate Andy Warhol: Get Real by Being (inevitably) Plastic

For some of us, the best way to transform ourselves as authentic human beings is to recreate ourselves as something we’re not. Does this make us fake? Could be. And so what if it does? If nothing else, Warholian wisdom teaches us this:

Fake is the new real.

At Andy Warhol’s Birthday Celebration at Playthink Studio on 8.08.08 at 8, we invite you to come steep in the paradox of deep superficiality, superficial depth, false authenticity, and authentic falseness.

And now for your oxymoronic pleasure, I present eight more ways to celebrate the birth of Andy Warhol.

#25. Create a Warholian Portrait. And while you’re at it fake it up. Andy was sought after by celebrities as a portrait artist not only because he was so famous, but also because his graphic style (using highly contrasted, washed-out silkscreen prints) made everyone look really good. No wrinkles. No age spots. Try this nifty gadjet, and do it yourself digitally! See what I mean?

#26. Create a message for your own tombstone. Andy said, “I always thought I’d like my own tombstone to be blank. No epitaph, and no name. Well, actually, I’d like it to say ‘figment.’” What would your tombstone say?

#27. Play with plastic.Our participatory arts extravaganza will provide the plastic, you supply the imagination. At Playthink’s Silver factory on 8/08/08 you’re invited to use plastic to create yourself.“I love Los Angeles. I love Hollywood. They’re beautiful. Everybody’s plastic, but I love plastic. I want to be plastic.” We challenge you to create yourself as a plastic icon. Recreate yourself. Reinvent yourself again and again and again. And, on this night of Andy’s birthday, you can be as fake as you wanna be.

#28. Change your name. Andrew Warhola not only changed his name, but he hung out with other name changers as well. Christa Päffgen became Nico. Truman Streckfus Persons became Truman Capote. Billy Linich became Billy Name. Ultra Violet was once Isabelle Collin. Candy Darling was born James Lawrence Slattery. Who will will you be?

#29. Confess your sins and admit how fake you are. “I am a deeply superficial person,” said Warhol. If Warhol can admit to the depth of his shallowness, we can, too. (Playthink Learning Studio is equipped with its own confessional booth for your reconciliatory indulgences.)

#30. Now that you’ve confessed, go to mass. Andy may have celebrated the fake, but he also seemed to have a deeply authentic religious side as well. According to James Romain in Transubstatiating the Culture,

With family roots in Byzantine-Slavic Catholicism, Warhol kept a homemade altar with a crucifix and well-worn prayer book beside his bed. He frequently visited Saint Vincent Ferrer’s Church on Lexington Avenue. The pastor of Saint Vincent’s confirmed that Warhol visited the church almost daily. He would come in mid-afternoon, light a candle, and pray for fifteen minutes, sometimes making use of the intimacy of the private chapels. The pastor described Warhol as intensely shy and private, especially regarding his religion. Warhol’s brother has characterized him as “really religious, but he didn’t want people to know about that because [it was] private.” For someone so bent on self-protection, Warhol’s efforts to keep his religious life a secret may indicate just how important his faith was to him.

#31. I don’t mean to nag, but have you bought your wig yet?

#32. And while you’re at it, don’t forget your brows. Andy said, “I had a lot of dates but I decided to stay home and dye my eyebrows.” You can dye your brows (here’s how), but don’t stay home on August 8. Come out and show them off!

how would andy celebrate?


Andy Warhol’s 80th birthday is this year. How will you celebrate? Share a modest little moment of silence?

I think not!

Instead, let’s throw the biggest, most glamorous party ever! We’ll take all month to prepare. We’ll wear glamorous outfits. We’ll mock and celebrate commercial consumerism. We’ll make icons of our most beautiful friends. We’ll sit on the couch and eat bananas. We’ll make movies and art and listen to Velvets.

As an innovator, lifelong learner, social networker, and consummate scenester, Andy’s life exemplified the tenets of slow learning. I’ll be celebrating Warhol’s birthday all this month by posting ideas for celebrating. With your help, I hope to reach eighty ways by his birthday on August 6th. And then on August 9th we’ll have a GREAT BIG Decadent Party and invite all the most beautiful people. We’ll invite the paparazzi. We’ll invite famous people. We’ll invite you and let you be famous for fifteen minutes. We’ll play with Mylar balloons. We’ll party like it’s 1999.

So save this date: on August 8, 2008 for one magical evening, PLAYTHINK LEARNING STUDIO in Dayton, Ohio, will transform into the SILVER FACTORY. Start planning your outfit now.

More coming soon…

With much gratitude, I acknowledge Whitney Matheson for her original idea. I think Andy would have approved of my copying her.

call for submissions

Announcing: Call for submissions

The International Ten Itty Bitty Pieces of Sh*tty Arts Show
Deadline for submission: Saturday, November 24, 2007
Opening Celebration, Juried Selection, and Beer Tasting Competition: November 24, 2007.
Playthink Studio, Front Street Gallery, Dayton, Ohio, USA

Accepting work from
Visual Artists

Musicians and songwriters
Architects and designers
Writers and spoken word artists
Corporate tax accountants
Performance artists
Actors and playwrights

The mandate of the Ten Itty Bittty pieces of Sh*tty Art Show is to promote artists, emerging and established, whose procrastination, perfectionism, and giant egos disguised as lack-of-confidence (and vice versa) serve to inhibit them from attempting/and or completing creative work.

All work must be created during the months of October and November 2007. Participants may not cheat by hunting up old itty bitty pieces of sh*tty artwork.

Submissions should include: an artist statement, a project description, a current CV, 10 – 20 slides, filmstrip, and two VHS and Betamax tapes, and a self-addressed stamped envelope. Unless you think that’s too much work. In that case, simply mail your work to Shag Shagdoravitchski, 4098 Wagner Road, Dayton, OH 45440, USA, arrange ahead for drop off times. Or show up on the day of the event with your with your ten itty bitty sh*tty pieces of art tucked under your arm.

Theory: Many artists, would-be artists and other creative people and find themselves stuck. Many intend to produce work, but find themselves held back because they believe their work is sh*tty. Most of these artists are right. Their work really is sh*tty. The Itty Bitty Sh*tty Arts Show celebrates the work of artists producing pooh.

My work requires performance. What’s the time limit? Performers, musicians, readers, and other presenters are limited to ten minutes. Performers are encouraged to present only the sh*ttiest of their work.
I’m planning to write a novel this November. Do you expect me to finish ten pieces of sh*tty art, too? Yes. And you are invited to read a chapter from your sh*tty book at the opening celebration as well.
Why ten pieces? Ten pieces is a lot to get done by November. This insures that your work will be sh*tty.
If I submit work to the itty bitty sh*tty arts show, does that make me an itty bitty sh*tty artist?
Artists often confuse their work with their identity. F##k that sh*t, and just make something.
Do I have to submit ten pieces? Yes.
Must I be present at the Ten Itty Bitty Pieces of Shitty Art Show to participate? No. Just send it in. All participants will receive documentation of participation.
What are the format restrictions? The Ten Itty Bitty Pieces of Sh*tty Art Show accepts all formats. It doesn’t have to be itty or bitty, just sh*tty.
Can I sell my work? Any artist may attempt to sell sh*tty work if his price is low enough. Artists are encouraged, though not required, to sell. We recommend $1 or Play money to be paid directly to the artist. Neither Playthink Studio or Shag Shadorovitscki will take a percentage of your sales.
Is this a juried exhibition? Yes. The jurors are select members of the snooty petootie arts community famous for the creation of works even sh*ttier than your own.
What’s the prize? All entrants will receive certificates and documentation of participation. Last, second last, third from last place will be offered to the sh*ttiest pieces in each category.
What if it turns out that my work isn’t sh*tty at all? What if in the process of attempting to create a sh*tty piece of work, I create something brilliant, spectacular, awe-inspiring, and earth-shattering? Won’t that make everybody else feel bad about their work that really is sh*tty? Yes. In fact that often happens with shows like this. Just feel guilty about it, and everything will be all right.

Curated by Shagdora Shagdorovitsch
Sponsored by the International Institute of Slowlearning, Redesign Research, Dialogic Design International,

playing with blocks; writing with robots

Writing is easy: All you do is sit staring at a blank sheet of paper until drops of blood form on your forehead. –Gene Fowler

There is no such thing as writer’s block for writers whose standards are low enough. –William Stafford

You can’t wait for inspiration. You have to go after it with a club. –Jack London

Are you feeling like no matter how hard you try, no matter how low you set your standards, no matter how many clubs you wield, no matter how much blood you sweat, that you just can’t write? Sorry to say it, but maybe your “writing block” is just a piss-poor excuse for for not getting anything done. Now thanks to advances in neopostmodern, postneodada, ne0-oulipo technology, you can let robots write for you. Check out

language is a virus Full of enough writing games and poem generators to keep you from your writing projects for weeks. Look for William S. Burrogh’s cutups. A free cut up-machine that allows you to rewrite and rearrange your writing refrigerator magnet style. Also includes a formula to help you “transchannel the spirit of of Shakespeare.”

Charles Bernstein’s collection of writing experiments includes extensive list of prompts and ideas from Bernadette Myer AND links to poetry machines, robots, and writing generators.

Think you’re blocked by your own perfectionism rather than held back by a lack of inspiration? Consider the master’s dying words:

I have offended God and mankind because my work did not reach the quality it should have. –Leonardo da Vinci

There is no excuse, really. Get to work.